It’s, of course, so different here, but the move has let us connect with much wider influences here in Nashville and made us more accomplished musicians.” “We had dreams and sacrificed for this opportunity by saying goodbye to friends and family,” said Diaz. They traded a home where kids still hide in basements to listen to pirate radio stations for a land they saw as brimming with musical opportunity. Singer and songwriter Lisset Diaz, guitarist and songwriter Miguel Comas, keyboardist Wilfredo Gatell, bassist Alejandro Gonzalez and drummer Angel Luis Millet arrived in the U.S. They were showcased on PBS, profiled on NPR and featured on the cover of the Miami Herald where the Cuban defectors were celebrated as cultural heroes. Within a few years, the Cuban-born members of Sweet Lizzie Project grew from an unknown Nashville rock band to the show opener for their idols Heart and Joan Jett, playing for an arena crowd of 20,000 people. Throughout his 25-year career, Tizer has been regarded as a gifted performer of genre-bending music that mixes classically inspired jazz, new age and jam rock.Īt the Greensburg show expect veteran vocalist Tita Hutchison to breathe new life into inspired reinterpretations of Led Zeppelin's "Ramble On," U2's "Pride (In the Name of Love)" and Cat Stevens' "Sad Lisa.” It left Tizer with a free-range appreciation of music in all its forms and a curiosity about how it is all interrelated. Tizer was a teenage keyboard prodigy touched by a broad range of influences from his Russian-Jewish heritage to his hippie parents’ new age values to radio rock from the ‘60s through the ‘90s. The jazz and world-fusion band takes the new repertoire on a summer festival tour that includes a SummerSounds concert at St. With the new project Songs From the Swinghouse, the ensemble dipped for the first time into reimagined classic rock covers performed with a vocalist, as well as eight scorching original instrumentals. In the five years since the release of their last jazz fusion CD, Lao Tizer Band has expanded its sound, band roster and presentation. Following the release of Nile’s recording debut in 1980, Pete Townshend invited him to open shows during the second leg of The Who’s North American tour.Īt SummerSounds, expect the New York singer-songwriter to sing about watching “grown men cry making out their wills on the day the world stood still.” And don’t take it personally when he wails, “Wake up America, red white and blue, you used to be great, what happened to. His rustbelt rock ‘n’ roll is served with a shot and a beer, and as much as he spanks New Yorkers for letting themselves down, Nile is the biggest booster of the city that never sleeps since Sinatra.Ĭutting his teeth in Greenwich Village clubs CBGB’s and Kenny’s Castaways, Nile and his band built a reputation for high-voltage performances of streetwise rock songs that resonated with blue collar workers of the late 1970s. Somewhere between Bruce Springsteen’s Jersey shore and Joe Greshecky’s Three Rivers, Willie Nile stakes his claim from the Hudson River to Long Beach. This year’s tour stops at the Rochester International Jazz Festival, FitzGerald’s American Music Festival and Greensburg’s SummerSounds. On the road, Victoria Victoria includes a full band bearing spectacular backing vocals. Played by Hunter, Elliott’s songs drift between indie pop, contemporary acoustic and jazzy cabaret. Hunter’s solo projects spotlight his work on homemade acoustic seven- and eight-string guitars simultaneously playing melodies, chord progressions and bass lines.Įlliott and Hunter teamed up on Victoria Victoria’s third release To the Wayside. He took guitar lessons from Joe Satriani and as an adult played guitar and organ with Michael Franti's political rap group The Disposable Heroes of Hiphoprisy, which toured with U2 in 1992. Guitarist, producer, songwriter and luthier Charlie Hunter has been a recording and touring artist since the 1990s. It’s not a band, more of a vehicle for North Carolina singer-songwriter and keyboardist Tori Elliott, whose introspective ethereal music takes the form of story fragments delivered in a quiet sultry voice. Songs from Victoria Victoria’s first CDs in 20 drew the attention of indie pop fans and were placed in reality TV shows. Official Website / Video1 / Video2 / Video 3
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